Showing posts with label Graveface. Show all posts
Showing posts with label Graveface. Show all posts

Tuesday, April 19, 2016

Appleseed Cast Peregrine Graveface 2006/2016

Appleseed Cast Peregrine Graveface 2006/2016 CAT# GRAVE115

Record Store Day happened again and it was lamer than the year before. Despite that, there was a couple of prominent local releases, this reissue of Appleseed Cast's Peregrine album and a live recording of current KC darlings, Madison Ward and Mama Bear. I picked this up. Nothing against Madison Ward & Mama Bear, it's just that group is too available. I have to wait until the band's releases are impossible to find before I show interest. That said, I probably need to pick up a Madison Ward release at some point.

Moving on, Peregrine was released by the Militia Group in 2006. It does have a vinyl pressing, but seeing how the label stopped releasing stuff in 2012, like many of Appleseed Cast's LPs it's become hard to find. Graveface, Appleseed Cast's home since 2013, has the other Militia Group LP Sagarmatha in print and available. For whatever reason, unlike Sagarmatha, Peregrine got the limited release. 2000 copies were pressed, some of which are a colored variant for Record Store Day, others are Graveface Record Club hand-poured vinyl variants, there was a Kickstarter version, and there is standard black vinyl available through Graveface mailorder.

Aside from all that nonsense, it's a good album and was the band's sixth release. It sounds a little more humble than their ambitious Low Level Owl albums, but the experimentation does run rampant throughout the LP, it's just not as obvious. There's a lot of groove and hooks throughout Peregrine and the band doesn't waste their time with beeps and glitches getting to those moments. It also serves as a concept album as it attempts to tell the story of a child, her name being Peregrine, who is murdered by her father and comes back to haunt him for it.

Appleseed Cast Peregrine

Saturday, August 8, 2015

Appleseed Cast Mare Vitalis Graveface/Deep Elm 2015

Appleseed Cast Mare Vitalis Graveface/Deep Elm 2015 CAT# GRAVE032

Been on the hunt for this for a long time. There’s an original, then a reissue, both put out in limited pressing and both of which typically cost near the $100 mark. They’re available, I just don’t want to front that kind of change.

Initially, I was pretty stoked to hear about this Graveface 20 year anniversary repress, then it turns out they only put out 150 on black vinyl and an additional 150 on some goofy splatter vinyl. Second, it was like the thing was never on sale. I tried going to the Graveface website on the supposed release date and it was nowhere to be found. I believe it was sold out through pre-order and Graveface subscriptions. Next thing I knew, it’s on the internets for $75. Luckily, I was able to grab one without being to ripped-off, I was willing to spend the $50 someone asked for the copy I know have.
Fortunately, I got straight black vinyl, because splatter, colored or picture discs don’t really excite me like they do some people. In fact, they kind of piss me off. There’s people that spend upwards of $100 on a single album to own all variants? Why? What good does it do anyone to have 5 copies of the same album regardless of what it looks like?

Anyway, I’m glad to have a single copy of this LP. The second track, “Fishing the Sky” is the best thing the band ever did. I’d pay $50 for just that song. However, the whole album is 10 steps ahead of their debut, The End of Ring Wars.

For one, the band added Kansas Native, Josh Baruth, a.k.a. “Cobra”, on drums. His work took the band to another level. He’s a surgeon back on the set. He practically own the album. I’d give him all the credit for the LP, but the band’s songs were also improved.
The tracks put together are still heavy on the emo-side, paying homage to Sunny Day Real Estate and the band’s personal favorite, Mineral. However, there’s experimentation going on, noodling, and feedback throughout. The band was nearing their sound. But, they almost perfected the emo-version of themselves here. No one would have been upset if they decided to stay.



Saturday, October 18, 2014

Appleseed Cast Illumination Ritual Graveface Records 2013

Appleseed Cast Illumination Ritual Graveface Records 2013 CAT# GRAVE090

The 7th LP by the Appleseed Cast and I believe the first to be without founding member, Aaron Pillar.  I'm not sure why Pillar parted ways, but it ultimately leaves singer and guitarist, Chris Crisci, to be the only founding member left in the band.

The music doesn't suffer at all.  It's one of the band's most inspired LPs.  Based in long, transitional, instrumentals that focus energy into a boiling point.  When Crisci starts singing, the tune is almost over, but every time, it's worth the wait to get there.  It's certainly something you have to enjoy in full, there's no single stand out track, nothing you can skip to for a quick fix...well, except maybe the plastic-funk found at the beginning of side 2 on "Branches on the Arrow Peak Revelation," but other than that, it's an album experience.

There's a bunch of stuff about science, numbers, and nature on the back cover.  Illumination Ritual is either some metaphysical explanation of the world or just some New Age philosophy...I don't know, get's pretentious, but I'm sure somebody "gets it" and it makes the album even more epic for them.  I'm more into the sounds, don't need some guy's take on scientific mysticism to enjoy the music.

Branches on the Arrow Peak Revelation

Monday, September 22, 2014

Hospital Ships/Heartscape Landbreak Split A Mary of Quito b/w Seed Song Graveface 2012

Hospital Ships/Heartscape Landbreak Split A Mary of Quito b/w Seed Song Graveface 2012 Grave076 Charity Series #4

This is the 4th release in the Graveface charity series.  The label releases 7"s in which the proceeds go to fund various charities, which is kind of cool.  Just as cool is that Graveface featured two Lawrence, KS bands on this one.

It's a good pairing, low-key, bedroom indie-pop.  I keep grabbing bits of the Hospital Ships and wishing I'd throw down on the full length albums.  "A Mary of Quito" is a delicate pop gem, it floats around effortlessly in dreamy soundscapes and Jordan Greiger's cracking vocals.  "Seed Song" by Heartscape Landbreak has a bit more teeth, but same lo-key feel.  Acoustic guitar intro, vocals that feel they could break in half, all very pleasant especially when harmonies are added.  They end their tune with a sweeping ending, y'know, just to keep you on your toes.

Wednesday, July 16, 2014

The Appleseed Cast Two Conversations Tiger Style/Graveface 2003

The Appleseed Cast Two Conversations Tiger Style/Graveface 2003 CAT# GRAVE035

If you can come up with an original Tiger Style issue of this release, it's still worth a pretty penny.  However, to save money, this is fine.  The Graveface reissue series has done an amazing job with the Cast.  The album is the first the band did after leaving the notrious Deep Elm label and at the time, was highly anticipated following the buzz of the Low Level Owl albums.

Personally, I find the release a bit more focused than the sprawling Low Level Owl LPs.  My only real complaint is it's a very slow-moving album.  Whereas the previous album had bursts of emo-ness thrown in to keep you off balance, Two Conversations steadies the pace.  This album certainly shed the emo tag, Chris Crisci's vocals are strained here and there, but he isn't crying like a baby anymore.  And the band, fucking brilliant, can't throw them in a punk-teen scene any longer, they're too good to emo.  The album finds the band with confidence, like they know who they are.  It also finds the band aligning themselves further with post-rock movement, building songs rather than writing them.

Overall, it's a fantastic mood album.  That is, you have to be in a certain mood to enjoy it.  If you want something immediate that you can sing and dance to; this is not your answer.  But, the deeper you get involved with it, the more rewarding it becomes.  The chilling loniliness that you hear on side one with songs like "Hanging Marionette" and "Fight Song".  And, if you make it through, you get rewarded here and there with the energy of "Innocent Vigilant Ordinary" and the slowcore beauty of "How Life Can Turn" and "A Dream For Us," on the flip.

Innocent Vigilant Ordinary