The Get Up Kids Guilt Show Vagrant/Heroes & Villains/BMG 2004, 2016 Reissue

The Get Up Kids Guilt Show Vagrant/Heroes & Villains/BMG 2004, 2016 Reissue CAT #VR4397

Man, so much to say about the final Get Up Kids album. First story that I have is that years ago, when I first started thinking I should start a vinyl blog based on local music I realized there were huge holes in my Get Up Kids collection. I had everything on CD at least and some scattered vinyl, but mostly everything I had was on CD. So, I called my friend in the band and asked if he had some stuff laying around and since I'm sure EVERYONE asks him the same, I offered to give up some choice LPs in exchange. He was agreeable and got what was available to him, even a member of the band doesn't have the ultra-rare limited stuff anymore. I got most of my holes filled, but asked, "Dude, where's Guilt Show?" The answer was he didn't have anymore, but gave me a CD copy. What's funny, as I was visiting another time and looking over records, there was multiple copies of this LP mixed into the collection. Basically, I don't think certain members of the band remember this one too fondly. If any of that is true (which it's probably not) I assume most of it would be from the fact they disbanded shortly after it's release.

It is a bit Matt Pryor heavy, the LP seems pretty focused around his type of tracks, introspective Superchunk-esque indie-pop. But, they are strong songs, although the energy could have been higher throughout the whole album. They don't have the teenage heartbreak and angst that early albums had, but, the band was older, full-fledged adults by this point. When you compare it to their 2002 album, On A Wire, it's certainly more of a Get Up Kids album, they ditched the roots rock and went back to their indie-rock roots, but found a lot of room for clever harmonies, clever lyrics, and jangly rhythms. It's not an album to be ashamed of, it's very enjoyable and easier to dance and shake to than On A Wire, was.

The other question is what would have happened if this came out in 2002 instead of On A Wire? It's difficult to say, but following the success of Something to Write Home About, the band was on the verge of something big, all they had to do was make Something to Write Home About Mach II and they may have become MTV indie darlings for a year or two. I don't sense a huge hit single here, but, it may have fit into 2002 better. And, had it been made following Something to Write Home About, it probably would have been a lot snappier. Either way, it would have been better received than On A Wire, fans would have been ready for this LP in 2002.

For what it is now, the first track, 'Man of Conviction' should be considered a Get Up Kid classic, equally as good as their most cherished songs. Next to last song, 'Is There A Way Out' is a deep cut by the group highlighting that these guys had soul and ideas that could have led to something amazing had they kept it together.

Man Of Conviction
Is There a Way Out

The Anniversary Designing a Nervous Breakdown Vagrant/Heroes & Villians/BMG 2000/2016 Reissue

The Anniversary Designing a Nervous Breakdown Vagrant/Heroes & Villains/BMG 2000/2016 Reissue CAT #VR4401

Man, I remember being so excited for this record in 2000. I actually got an advance copy to promote through an indie-promotion company when I was doing "street team" work. The Anniversary was becoming a big deal, locally and nationally. They were touring with the Get Up Kids, the singles they had released up to their debut were frantic emo-pop sing-alongs.

However, when I got the album I remember being completely let down. The album starts out promising with "The Heart is a Lonely Hunter" followed by "All Things Ordinary", but after that, I remember thinking the band had run out of ideas. The Rentals formula was wearing thin and in bursts, it worked for the band, but for an entire album, it gets thin. When the album was officially released, I never bothered updating my promo copy which was just a disc in a plain white envelope with a hype-sticker across the back.

Years later, when nostalgia took over, I regretted never buying it on vinyl. When I started looking for it, I would have been lucky to find a copy for $50. Then, just recently, Vagrant started re-releasing a bunch of their back catalog for the label's 20 year anniversary and this was included. I waited too long apparently to get a standard black copy and settled for this blue colored version...and once again, I was disappointed when I first put it on. Not because I felt I bought a bad album, I can now validate the purchase for two great tracks and some solid filler, I got more money than I did in 2000. But, what I was upset about this time was slightly warped vinyl...WTF. Quality control on recent vinyl pressings leaves a lot to be desired, but that's to be expected when everyone is buying records again.

Either way, the album sounds better today than it did back then. Bonus, the warp doesn't affect playback, so it's cool. I'm picking up on all the moments when the Get Up Kids association rubbed off on these guys, the pick slides, the obvious emo infliction, it's nice. But, mostly it's the nostalgia that gets me.

Designing a Nervous Breakdown

Hipshot Killer All The Hell In The World B/W Sky Flying By Too Much Rock 2016

Hipshot Killer All The Hell In The World B/W Sky Flying By Too Much Rock 2016 CAT #No 005

Hipshot Killer is a three piece punk band drawing heavily from the dirtier side of late-70's power-pop. The band has been performing since 2009, but LONG before that band members Mike Alexander and Chris Wagner were in the The Revolvers together, In addition, Wagner and a one-time Hipshot Killer drummer were in The Breakups.  These guys are old now and probably have kids and stuff. Those bands were 20 years ago. But, to their credit, the years look good on them, they've gotten a wiser, they've grown out of simplicity of old Descendants records and stretched out musically. They still wear Chuck Taylors, though. Seriously, drop that, you'll be confused for a Kelly Clarkson fan.

Even in their Chucks, they're a bit tougher and got some power-pop hooks to go along with their punk rock chords. They've released a full length and this new 7" represents the 5th in a series of singles put out by Too Much Rock. As stated previously, Sid at Too Much Rock puts out the singles provided the band does a song of his choosing. The band gets all benefits and the records, Sid just helps out local music. For this release, Hipshot Killer was given the early 90's proto-emo song, Sky Flying By" by Samiam. For Hipshot Killer, it's an easy task and they remain true to the original track which was likely a song that influenced the Breakups way back when.

The original tune by the band, "All The Hell in the World," wins the award for best song title of the year. It's got 90's teenage angst, but finds adulthood in the end. The track builds up with guitars until it blows up into a singalong, but the lyrics have a lot more in common with a Bruce Springsteen song than the typical 'damn the man' punk-rock anthem.

The single will be released 10/21 at local record stores. The band will be performing live 10/22 at Mills Records and again on 10/25 at Davey's Uptown. A Lawrence show is in the works. If you search you can find a stream of "All The Hell in the World", but the B-side is off limits unless you happen upon on it on the radio or buy the single.

https://hipshotkiller.bandcamp.com/
Check out the A-Side

Your Friend Gumption Domino 2016

Your Friend Gumption Domino 2016 CAT# WIGLP342

Taryn Miller, a Lawrence, KS resident originally from Winfield, Kansas, is Your Friend. Her first offering on Domino was the re-released EP Jekyll/Hyde which was filled with accessible experimentation and served as highlight for local artists. The EP's style is best summarized in a quote from a Kansas City paper Miller provided early this year at the eve of this album's release;  "I stopped overthinking it, I was like, 'Do it for your own sake. Just enjoy it'"

The quote speaks volumes to the Jekyll/Hyde release. Those songs explored soundscapes without getting pretentious. However, Gumption, her debut LP, seems to be reaching and indeed, overthinking things. It's 8 songs, with each track nearing the 5 minute mark. Its songs find space and never come back. Tracks get stuck with Miller's big voice surrounded by drowning electronic sounds and sparse drums, which is pleasant, but it doesn't always feel like a song. There's good bits to be sure and of course, she doesn't have to write songs, Miller can be as punk rock as she wants. She could be saying, fuck songs and go Glenn Branca on everyone, she'd still be cool, but it still won't mean the album is any good.

Hopefully, this release serves to calm Miller down and help her return with a more focused effort. And sure, people will like Gumption's constantly meandering song structures, the whole LP messes around as much as most a Deerhoof album does (and people love that shit). But, Deerhoof's saving grace is they give you at least a few obvious hits for every 30 minutes of noodling around.

Gumption Video

Kevin Morby Singing Saw Dead Oceans 2016

Kevin Morby Singing Saw Dead Oceans 2016 CAT #DOC111

Kevin Morby is this kid from Kansas who's creating his own Dylan mythology. Yeah, big words, but that's what he's done up to this point. Apparently, with very few people taking notice he grew up in Overland Park, KS and dropped out of Blue Valley Northwest High School. He obtained his GED and left for New York.

In New York worked in restaurants and being a bike courier. He helped create the experimental folk group, the Woods, as the bassist. He also created his own side project with Cassie Ramone of the Vivian Girls called the Babies, putting out two albums. By 2013, he began his career as a solo artist releasing Harlem River. He's since moved to Los Angeles.

Singing Saw is his most recent and third release. Between it and Harlem River was the album Still Life released in 2014. His first two albums are satisfying experimental folk and brought him critical attention, but both are a bit wobbly, close, but not quite realized. Singing Saw nails things down.

Morby's voice draws a lot Dylan comparisons, he mumbles and groans over his melodies. However, he's not a complete folkie, he likes to try a lot of everything. Best comparison to an area artist would be Gene Clark. Morby's music is a melting pot of American music, with heavy nods to Dylan, but stepping so far out into space that it's best called American Cosmic. Singing Saw is filled with amazing moments and no tracks you'd want to skip. It's surprising this kid has anything to do with Overland Park.

Dorothy (Video)

Appleseed Cast Peregrine Graveface 2006/2016

Appleseed Cast Peregrine Graveface 2006/2016 CAT# GRAVE115

Record Store Day happened again and it was lamer than the year before. Despite that, there was a couple of prominent local releases, this reissue of Appleseed Cast's Peregrine album and a live recording of current KC darlings, Madison Ward and Mama Bear. I picked this up. Nothing against Madison Ward & Mama Bear, it's just that group is too available. I have to wait until the band's releases are impossible to find before I show interest. That said, I probably need to pick up a Madison Ward release at some point.

Moving on, Peregrine was released by the Militia Group in 2006. It does have a vinyl pressing, but seeing how the label stopped releasing stuff in 2012, like many of Appleseed Cast's LPs it's become hard to find. Graveface, Appleseed Cast's home since 2013, has the other Militia Group LP Sagarmatha in print and available. For whatever reason, unlike Sagarmatha, Peregrine got the limited release. 2000 copies were pressed, some of which are a colored variant for Record Store Day, others are Graveface Record Club hand-poured vinyl variants, there was a Kickstarter version, and there is standard black vinyl available through Graveface mailorder.

Aside from all that nonsense, it's a good album and was the band's sixth release. It sounds a little more humble than their ambitious Low Level Owl albums, but the experimentation does run rampant throughout the LP, it's just not as obvious. There's a lot of groove and hooks throughout Peregrine and the band doesn't waste their time with beeps and glitches getting to those moments. It also serves as a concept album as it attempts to tell the story of a child, her name being Peregrine, who is murdered by her father and comes back to haunt him for it.

Appleseed Cast Peregrine