Cole Hunter Capone B/W New Frontier Read Badge Music 2009 NO CAT#
Don't know who this guy is, what he represents, or even who his friends are. I do know you can buy his 7" for $3.00 at an Olathe antique mall and there's a sign indicating he's local.
When I got it home, I looked all over and only found the dudes self-produced rock video. He plays a Flying V, pretty hard rock right there, if not metal. The website for Real Badge Music is pretty awful. I mean, 1992 AOL Welcomes You to the Internet- bad. There's pages, with no actual information, just a bunch of cryptic filler. It's strange.
After listening to Cole Hunter's 7", one thing is clear, Cole Hunter loves him some guitar. The first side, "Capone", is surprisingly adept and kind of enjoyable. Albeit a bunch of guitar masturbation and it's trapped in 60's and 70's hard rock. But, considering the website and the lack of any information, I braced myself for the worse but, found it to be a pleasant surprise. "New Frontier" is the B-Side, it's acoustic and obvious...gotta have a panty-dropper if you rock a Flying-V.
Capone
Website (or lack thereof)
Vinyl record releases, 45s & LPS, local to Kansas and the surrounding Kansas City Area Metro area. Archived and discussed.
Showing posts with label 2009. Show all posts
Showing posts with label 2009. Show all posts
Sunday, February 2, 2014
Saturday, December 21, 2013
Moondog More Moondog Prestige (4 Men With Beards 2009 Repress) 1956
Moondog More Moondog Prestige (4 Men With Beards Repress) 1956 CAT #4M176
The eccentric figure known as Moondog was born Louis Thomas Hardin in Marysville, Kansas in 1916. He was moved to Wyoming as a young child, but would later move back to Southern Missouri where he lost his sight in a farming accident.
His father seemed like a pretty cool guy, he got his son to Iowa for specialized schooling for the blind. There he began studying music. It's documented that Moondog's father previously introduced Native American music to his son and encouraged his musical ability at a much earlier age. As an adult he moved to New York and became the eccentric figure that made him famous. He designed his own clothes that were modeled after the the Norse God Odin and parked himself on the streets of Manhattan. He became known as the Viking of 6th Avenue for his appearance which was always bearded and wearing a helmet adorned with horns. He did have an actual apartment of his own that was funded by his street performing, selling of compositions, and his own records, but oddly, he choose to live on the streets. As a musician, he was respected by artists in the classical cannon and jazz scene of the day. His records were primarily released by the, Prestige which was known mostly as a jazz label.
It's a far more interesting story than my quick synopsis, but the main point is this guy was an eccentric genius and from Kansas. That's rad. For the 1950's, this was highly experimental. Today, it doesn't sound as alien, it's very percussion and rhythm heavy, it relies on street sounds and uses those sounds to create music rather than just add effect, there's also spoken word elements. It's also very minimalist and sparse, his music is centered around rhythm and accompaniment is almost exclusively percussion instruments (some of which were invented by Moondog) with the occasional piano, wind or brass instrument or a vocal track. Again, today some of these practices have become commonplace, but Moondog was avant-garde for the time. Further, he also had the ability to take his ideas and condense them it into 3 minutes songs that appeal to a casual listener so despite his radical ideas, he never freaked people out with his compositions. Those that were influenced by his music would handle that.
Tugboat Toccata
Autumn
The eccentric figure known as Moondog was born Louis Thomas Hardin in Marysville, Kansas in 1916. He was moved to Wyoming as a young child, but would later move back to Southern Missouri where he lost his sight in a farming accident.
His father seemed like a pretty cool guy, he got his son to Iowa for specialized schooling for the blind. There he began studying music. It's documented that Moondog's father previously introduced Native American music to his son and encouraged his musical ability at a much earlier age. As an adult he moved to New York and became the eccentric figure that made him famous. He designed his own clothes that were modeled after the the Norse God Odin and parked himself on the streets of Manhattan. He became known as the Viking of 6th Avenue for his appearance which was always bearded and wearing a helmet adorned with horns. He did have an actual apartment of his own that was funded by his street performing, selling of compositions, and his own records, but oddly, he choose to live on the streets. As a musician, he was respected by artists in the classical cannon and jazz scene of the day. His records were primarily released by the, Prestige which was known mostly as a jazz label.
It's a far more interesting story than my quick synopsis, but the main point is this guy was an eccentric genius and from Kansas. That's rad. For the 1950's, this was highly experimental. Today, it doesn't sound as alien, it's very percussion and rhythm heavy, it relies on street sounds and uses those sounds to create music rather than just add effect, there's also spoken word elements. It's also very minimalist and sparse, his music is centered around rhythm and accompaniment is almost exclusively percussion instruments (some of which were invented by Moondog) with the occasional piano, wind or brass instrument or a vocal track. Again, today some of these practices have become commonplace, but Moondog was avant-garde for the time. Further, he also had the ability to take his ideas and condense them it into 3 minutes songs that appeal to a casual listener so despite his radical ideas, he never freaked people out with his compositions. Those that were influenced by his music would handle that.
Tugboat Toccata
Autumn
Labels:
12",
1956,
2009,
Avant-Garde,
Jazz,
LP,
Marysville,
Moondog
Friday, August 23, 2013
BE/NON A Mountain of Yeses Unipegadong Records 2009
BE/NON A Mountain of Yeses Unipegadong Records CAT #DONG-0001 2009
I don't have any hipster douchebag stories about this band, despite that the BE/NON moniker was kicking it in the KC scene back when I was a hipster douchbag. It's not really a band, it's the brainchild of Kansas Citian Brodie Rush. Since 1996 Brodie Rush has been releasing under this name with a host of musicians and friends appearing on the recordings.
I remember the band vaguely in their early days and thinking they sure tried awful hard to have edge. The sound they were shooting for in the beginning was a bit out of range. However, after picking this LP up awhile back, Brodie has definitely found out what works for him.
A Mountian of Yeses carries some heady tunes. A bit early 70's prog clashed in with 80's post punk and synth pop. It's ambitious and a challenging listen. Everytime I listen to it, I honestly can't help but thinking that Muse should sound more like this. I fucking hate Muse and I think it's because they take the prog/art rock form and experimentation and try to dumb it down for soccer moms, all while singing about total nonsense like "Blackholes and Revalations." BE/NON seem to understand that they don't have to dumb down their shtick for other to enjoy it. In fact, what's appealing about the LP is that you sense that Brodie Rush made this for himself. He had it in his mind and got it out there, there was never a concern of impressing others or making fans, he just had some tunes in his head that he needed to get out there. Also, TRUST ME, the whole Muse thing is just what I think when I listen to this LP. BE/NON has nothing to do with that shit band.
Live Tune from the Album Release Party
I don't have any hipster douchebag stories about this band, despite that the BE/NON moniker was kicking it in the KC scene back when I was a hipster douchbag. It's not really a band, it's the brainchild of Kansas Citian Brodie Rush. Since 1996 Brodie Rush has been releasing under this name with a host of musicians and friends appearing on the recordings.
I remember the band vaguely in their early days and thinking they sure tried awful hard to have edge. The sound they were shooting for in the beginning was a bit out of range. However, after picking this LP up awhile back, Brodie has definitely found out what works for him.
A Mountian of Yeses carries some heady tunes. A bit early 70's prog clashed in with 80's post punk and synth pop. It's ambitious and a challenging listen. Everytime I listen to it, I honestly can't help but thinking that Muse should sound more like this. I fucking hate Muse and I think it's because they take the prog/art rock form and experimentation and try to dumb it down for soccer moms, all while singing about total nonsense like "Blackholes and Revalations." BE/NON seem to understand that they don't have to dumb down their shtick for other to enjoy it. In fact, what's appealing about the LP is that you sense that Brodie Rush made this for himself. He had it in his mind and got it out there, there was never a concern of impressing others or making fans, he just had some tunes in his head that he needed to get out there. Also, TRUST ME, the whole Muse thing is just what I think when I listen to this LP. BE/NON has nothing to do with that shit band.
Live Tune from the Album Release Party
Labels:
12",
2009,
BE/NON,
Indie,
Kansas City,
LP,
Post-Modern,
Private Press,
Unipegadong Records
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