Showing posts with label Birdland Series. Show all posts
Showing posts with label Birdland Series. Show all posts

Sunday, July 20, 2014

Joe Williams with Count Basie and His Orchestra Everyday I Have the Blues Roulette 1959

Joe Williams with Count Basie and His Orchestra Everyday I Have the Blues Roulette 1959 CAT# R52033

I love these Basie/Williams albums.  Mostly because for the rest of his life, Joe Williams spoke so highly of Count Basie.  One of his early solo albums, he's quoted gloating about his work with Basie, then later performances, everywhere, always just gave huge thanks and credit to Count Basie.  He never forgot his roots.

This album is in all actuality considered a solo LP for Williams.  Joe Williams' popularity had reached it's peak.  Williams' popularity was also instrumental to Basie's continued success.  Basie's work on the album was a thank you to Williams for the years served as his band's singer.

Basie worked the arrangements with a smaller backing band than normal.  You still get the huge sound expected from Basie's standard and title track, "Everyday I Have the Blues."  However, after that, the album is laid back.  The swing style of "Going to Chicago" is a vocal workout for Williams with your basic club group from Basie.  The album flows like that for the most part, even a smoker like "Shake, Rattle and Roll" is toned down (but at a good clip, for sure).  It's a jazz vocal album that finds Williams showing off and Basie adding flourishes that don't normally appear on similar albums.

Everyday I Have the Blues

Sunday, June 22, 2014

Count Basie & His Orchestra Kansas City Suite The Music of Benny Carter Roulette 1960

Count Basie & His Orchestra Kansas City Suite The Music of Benny Carter Roulette 1960 CAT# R52056

Love this LP and wish I didn't own a beat up later pressing on the Roulette Birdland Series, nice original would fit the bill, but, then again, there's a lot of records I want.

This LP was written by Benny Carter (not from Kansas City or a part of the scene, at least in the way Basie was) for Count Basie and his orchestra.  Carter named his tunes around clubs and areas in Basie's old stomping grounds, Basie gave it his KC swing, and they got a solid later day jazz album.

It's a solid outing and some featured soloist give the recordings an added flourish.  However, I just love it for all the Kansas City in it.  The skyline photo is great.  Song titles are fantastic: "Vine Street Rumble," "Miss Missouri," "Jackson County Jubilee," and the "Paseo Promenade" all still hold immediate relevance today.  The other tracks apparently are centered around KCMO as well, but would likely require more research.  I'm content with the obvious.

Vine Street Rumble