Appleseed Cast Peregrine Graveface 2006/2016

Appleseed Cast Peregrine Graveface 2006/2016 CAT# GRAVE115

Record Store Day happened again and it was lamer than the year before. Despite that, there was a couple of prominent local releases, this reissue of Appleseed Cast's Peregrine album and a live recording of current KC darlings, Madison Ward and Mama Bear. I picked this up. Nothing against Madison Ward & Mama Bear, it's just that group is too available. I have to wait until the band's releases are impossible to find before I show interest. That said, I probably need to pick up a Madison Ward release at some point.

Moving on, Peregrine was released by the Militia Group in 2006. It does have a vinyl pressing, but seeing how the label stopped releasing stuff in 2012, like many of Appleseed Cast's LPs it's become hard to find. Graveface, Appleseed Cast's home since 2013, has the other Militia Group LP Sagarmatha in print and available. For whatever reason, unlike Sagarmatha, Peregrine got the limited release. 2000 copies were pressed, some of which are a colored variant for Record Store Day, others are Graveface Record Club hand-poured vinyl variants, there was a Kickstarter version, and there is standard black vinyl available through Graveface mailorder.

Aside from all that nonsense, it's a good album and was the band's sixth release. It sounds a little more humble than their ambitious Low Level Owl albums, but the experimentation does run rampant throughout the LP, it's just not as obvious. There's a lot of groove and hooks throughout Peregrine and the band doesn't waste their time with beeps and glitches getting to those moments. It also serves as a concept album as it attempts to tell the story of a child, her name being Peregrine, who is murdered by her father and comes back to haunt him for it.

Appleseed Cast Peregrine

Appleseed Cast Mare Vitalis Graveface/Deep Elm 2015

Appleseed Cast Mare Vitalis Graveface/Deep Elm 2015 CAT# GRAVE032

Been on the hunt for this for a long time. There’s an original, then a reissue, both put out in limited pressing and both of which typically cost near the $100 mark. They’re available, I just don’t want to front that kind of change.

Initially, I was pretty stoked to hear about this Graveface 20 year anniversary repress, then it turns out they only put out 150 on black vinyl and an additional 150 on some goofy splatter vinyl. Second, it was like the thing was never on sale. I tried going to the Graveface website on the supposed release date and it was nowhere to be found. I believe it was sold out through pre-order and Graveface subscriptions. Next thing I knew, it’s on the internets for $75. Luckily, I was able to grab one without being to ripped-off, I was willing to spend the $50 someone asked for the copy I know have.

Fortunately, I got straight black vinyl, because splatter, colored or picture discs don’t really excite me like they do some people. In fact, they kind of piss me off. There’s people that spend upwards of $100 on a single album to own all variants? Why? What good does it do anyone to have 5 copies of the same album regardless of what it looks like?

Anyway, I’m glad to have a single copy of this LP. The second track, “Fishing the Sky” is the best thing the band ever did. I’d pay $50 for just that song. However, the whole album is 10 steps ahead of their debut, The End of Ring Wars.

For one, the band added Kansas Native, Josh Baruth, a.k.a. “Cobra”, on drums. His work took the band to another level. He’s a surgeon back on the set. He practically own the album. I’d give him all the credit for the LP, but the band’s songs were also improved.

The tracks put together are still heavy on the emo-side, paying homage to Sunny Day Real Estate and the band’s personal favorite, Mineral. However, there’s experimentation going on, noodling, and feedback throughout. The band was nearing their sound. But, they almost perfected the emo-version of themselves here. No one would have been upset if they decided to stay.

Fishing the Sky

Appleseed Cast Illumination Ritual Graveface Records 2013

Appleseed Cast Illumination Ritual Graveface Records 2013 CAT# GRAVE090

The 7th LP by the Appleseed Cast and I believe the first to be without founding member, Aaron Pillar.  I'm not sure why Pillar parted ways, but it ultimately leaves singer and guitarist, Chris Crisci, to be the only founding member left in the band.

The music doesn't suffer at all.  It's one of the band's most inspired LPs.  Based in long, transitional, instrumentals that focus energy into a boiling point.  When Crisci starts singing, the tune is almost over, but every time, it's worth the wait to get there.  It's certainly something you have to enjoy in full, there's no single stand out track, nothing you can skip to for a quick fix...well, except maybe the plastic-funk found at the beginning of side 2 on "Branches on the Arrow Peak Revelation," but other than that, it's an album experience.

There's a bunch of stuff about science, numbers, and nature on the back cover.  Illumination Ritual is either some metaphysical explanation of the world or just some New Age philosophy...I don't know, get's pretentious, but I'm sure somebody "gets it" and it makes the album even more epic for them.  I'm more into the sounds, don't need some guy's take on scientific mysticism to enjoy the music.

Branches on the Arrow Peak Revelation

The Appleseed Cast Two Conversations Tiger Style/Graveface 2003

The Appleseed Cast Two Conversations Tiger Style/Graveface 2003 CAT# GRAVE035

If you can come up with an original Tiger Style issue of this release, it's still worth a pretty penny.  However, to save money, this is fine.  The Graveface reissue series has done an amazing job with the Cast.  The album is the first the band did after leaving the notrious Deep Elm label and at the time, was highly anticipated following the buzz of the Low Level Owl albums.

Personally, I find the release a bit more focused than the sprawling Low Level Owl LPs.  My only real complaint is it's a very slow-moving album.  Whereas the previous album had bursts of emo-ness thrown in to keep you off balance, Two Conversations steadies the pace.  This album certainly shed the emo tag, Chris Crisci's vocals are strained here and there, but he isn't crying like a baby anymore.  And the band, fucking brilliant, can't throw them in a punk-teen scene any longer, they're too good to emo.  The album finds the band with confidence, like they know who they are.  It also finds the band aligning themselves further with post-rock movement, building songs rather than writing them.

Overall, it's a fantastic mood album.  That is, you have to be in a certain mood to enjoy it.  If you want something immediate that you can sing and dance to; this is not your answer.  But, the deeper you get involved with it, the more rewarding it becomes.  The chilling loniliness that you hear on side one with songs like "Hanging Marionette" and "Fight Song".  And, if you make it through, you get rewarded here and there with the energy of "Innocent Vigilant Ordinary" and the slowcore beauty of "How Life Can Turn" and "A Dream For Us," on the flip.

Innocent Vigilant Ordinary

The Appleseed Cast Low Level Owl: Volumes I+II Deep Elm Records and Big School Records 3XLP Color Vinyl (Gold)

The Appleseed Cast Low Level Owl: Volumes I+II Deep Elm Records and Big School Records 3XLP Color Vinyl (Gold) 2013 CAT # BSR-007

People love these albums.  I mean, they put this reissue out in 2013 and they are freaking gone, already bringing in high dollar on eBay.

Personally, I prefer Mare Vitalis.  I'm likely in the minority there.  I just thought that album had more energy than these (keep in mind, these originally came out as two separate albums).  Plus, Mare Vitalis had "Fishing the Sky" which is the greatest thing the band ever recorded.  I'm just overwhelmed by the response to these albums, I've read that after this album, The Cast became America's answer to Radiohead, and I've read people gush over the experimentation with post-rock sounds.

I remember getting the CDs from Aaron Pillar for free after having to beg him.  Then, after he reluctantly handed them over, I felt bad because the albums can be challenging to get through, I barely listened to them.  There's a lot of space, a lot of experimentation, and it takes a while to soak these in.  At the time, I wasn't in the mood for that.  Further, it just proves, that this has nothing to do with Radiohead, we're not even going to jump into that idea because it's absurd.

However, I would like to address the post-rock experimentation.  The band dicks around a lot on these LPS.  On the liners, they state it's because they have a lot of ideas.  I think the truth is, they needed/wanted to get out of their contract with Deep Elm as soon as possible.  These albums were the answer; two sprawling releases that coincide with each other.  And in between the songs, there's not just segues, there's more songs of looped guitars and drum tracks filled with ambiance and atmosphere.  That part of the LP is what set the emo kids off.  Probably because they never heard Brian Eno, but I guess it was all new to their ears.  If they were familiar with it, they called it Godspeed You Black Emporer-esque, but again, they never heard Eno.  The experimentation is just looped tracks for the most part, some drumming building up and Pillar's guitar slowly adding depth.  It's decent, just not memorable.

In between the segues, there is some incredible songs though.  Had this been just one LP, it's easily 5 star material.  The droning sounds do bleed into the actual songs, but that what makes the songs great, not the albums.  However, by the fan base embracing the Low Level albums and the critical praise, it did send Appleseed Cast in a whole new direction.  The work that followed perfected the sounds found here.  The time since these LPS have been released took them out of Emo scene and firmly entrenched them in the post rock scene.  And, despite being Kansans by choice only, they are currently Kansas' most important band touring and putting out new music.

On Reflection
Steps & Numbers

Appleseed Cast Tale of the Aftermath B/W Skattar Ik Ignito Tan Bur Records 1998

Appleseed Cast Tale Of The Aftermath B/W Skattar Ik Ignito Tan Bur Records 1998 CAT# 1

Here's another tale from an old Kansas Hipster, sorry in advance.

I had briefly mentioned how Jakob Cardwell from Reflector introduced me to these guys.  I met Jake at community college, we shared friends and interests in music, he was in a band, we hung out.  He kept telling me, "My friends from Appleseed Cast are moving here [to Lawrence], you got to meet them, you'll love their album, it sounds like Mineral."

At that time, the "emo" scene was a mish mosh of indie bands trying to sound like Sunny Day Real Estate.  It wasn't a fashion, or something you called someone.  It was a genuine "underground" scene in it's infancy.  Mineral were the darlings along with Texas is the Reason, The Promise Ring and the Get Up Kids.  Appleseed Cast was still a bit of an unknown, I don't think the first album had even came out when they initially moved to Kansas.  My understanding was they wanted to be more "central".  They planned to tour a lot (they did) and calling Kansas their home base put them in the middle of the map.  Not to mention, Lawrence, KS, is a great spot to locate a band.  At the time, you could literally record an album, grab a bite to eat, and go play a show all on the same city street.  Further, the Appleseed Cast guys were chummy with other area bands from their Christian rock days (weird, I know).  It made sense them for them to call Kansas home and to this day, they still do.

Moving on, the day came, Appleseed Cast moved to Kansas.  I remember Jake being really excited.  They had a show shortly after arrival at Gee Coffee in Olathe, KS.  Further proof they were still a bit of an unknown, couldn't even book a gig in Lawrence or Kansas City.  We went, they did their thing and I remember thinking, "Jeez, these guys are just ripping off Mineral."  After the show, virtually everybody there made the 30 minute drive back to Lawrence, KS to hang out at Jake's house with Appleseed Cast.  I met the guys, probably got drunk or something and Jake showed his penis to everyone (it's just something he did, I don't know why).  While at Jake's house, Jake forced Aaron Pillar to give a copy of The End of Ring Wars CD for me to review.  At the time, I was writing reviews on .emo and post-hardcore for an eZine called Signal Drench.  Aaron supplied the copy and I took it home to soak in.

Also important to this story is the label Appleseed Cast was on; Deep Elm.  Again, the .emo scene was young and this was late 90's.  This scene had virtually developed itself online.  There were many eZines, in fact Pitchfork, cut it's teeth trashing emo albums of this era.  It was also a labels scene, Crank!, Caulfield, and Jade Tree were the favorites.  Labels like Doghouse and few others had their hitmakers too, but the scene was centered around those three.  They all had webboards with a host of personalities talking about what emo bands they hated, which ones they liked, reasons the Get Up Kids and Promise Ring sucked, it was a lot of fun.  A HUGE topic of conversation was Deep Elm.  There were loyal Deep Elm enthusiasts for sure, but the kids on the Crank!, Jade Tree, and Caulfield web boards hated that label.  Namely, it was due to label founder, John Szuch, putting out a series called the "Emo Diaries" (comps were big and an easy way to get into new bands).  People lambasted Szuch all day for "selling out" the scene.  Some of the bands, Samiam and Hot Water Music come to mind, even bashed the label after being involved with the comp series.

One day, feeling arrogant and stupid, I jumped in on one of these Deep Elm bashing threads.  My post wasn't bad at all, something to the effect of, 'I don't like the Emo Diaries, if you want to know why email me and I'll tell you.'  I was trying to be nice, didn't think anyone would email me and I didn't think the webboard was the place to shit all over the label.  Funny thing, I got a response almost immediately from the label founder, John Szuch, requesting I tell him why I don't like the series.  I have no idea why he responded, I really don't think it had anything to do with my Signal Drench cred and I think my profile on the Crank! webboard was fairly low profile compared to others, but here's the label founder emailing me and asking why I hate his label.  So, I was honest.  At the time, I was on the "sell out" kick and explained that it exploited the scene.  His label wasn't like Crank! pushing good music, his was just trying to make money out of a buzz word.  Shit, he blew up.  There was a thread of several emails of us typing in all caps and saying mean spirited things.  Looking back, I'm not sure why he just didn't play the high road, say something like, "Why don't I send the comps to you for review, maybe you'll understand it better."  That would seem reasonable, but no, we hated each other after that exchange.

So, back to Appleseed Cast.  When Aaron gave me the End Of Ring Wars CD, I had made them aware of the exchange I had with John Szuch.  Aaron of course stood up for him and rightfully so, John Szuch is a nice guy, he's just really passionate.  The one thing Aaron said to me about the reviewing the CD is that I be honest.  So, I was.

After the show and after Jake's house party, I put it in on the way home back home.  Oddly, I lived in Olathe at the time, so I had a good drive with it.  I spent a week with the disc, listening to it over and over.  I kept hearing Mineral in it.  Not Sunny Day Real Estate, but Mineral.  You see the lame-ness, there.  Mineral ripped off Sunny Day, we all knew that, but we couldn't buy anymore Sunny Day albums because the band broke up.  Mineral was the next best thing, they got a pass.  However, Appleseed Cast was ripping off a band who was ripping off a band.  Appleseed Cast, would have been much better served to rip off Sunny Day's LP2 (the pink one) since Mineral already stole from Diary.  I probably would have gave them the pass if they had.  Instead, I wrote about what it was, the first Mineral rip off (oh fuck, don't worry, there were plenty more to come).  I did say I like the song Marigold & Patchwork (I do), but the rest of the album just kind of kicked around and didn't add anything to the scene that hadn't already been done.

About a week after the review hit the internet, I was back at Jake's house and Aaron was there.  He wanted to talk about the review.  It was a bit awkward at first, no sorry, it was real fucking awkward at first.  The sudden realization that I just bashed all this guy's hard work was right there in my gut.  I was nervous, my palms were sweating, I felt awful.  I'm not a mean person, I like to find good things about people and music.  It's far too easy to say what sucks about an album--there's never anything "new" about it--it always borrows from someone else.  I never wanted to develop into a Lester Bangs character when writing about music.  But, I had.  Right in front of me was the proof.  Second, after the review was submitted, I had to deal with John Szuch again.  Another online screaming match ensued between the two of us.  Not surprisingly, it also ended on bad terms.  I said the album rips off Mineral.  He said Mineral rips off Sunny Day.  I agreed but said Mineral is cool for picking up the torch.  Appleseed Cast are hacks, they just stole the sound.  He didn't like that, but, to both our benefit, I think we both decided to take a high road and leave it at we didn't like other.

So yeah, I'm sitting next Aaron on wood bench on the front porch of rental home in the student ghetto of Lawrence, KS.  He looks at me and says, "I read the review."  I replied, "Yeah, sorry about that, look I already had to deal with John, man."  I was desperately trying to avoid confrontation.  "No man," Aaron says, "You're right, I talked to Chris [the singer], and you're right, man.  That's what we did."  A long conversation ensued.  I was telling Aaron it was good album to rip off and I love Mineral.  Aaron was explaining the impact that album had on his band.  So much so, they even took it with them to the recording studio and told the producer that it was the sound they were after.

After the conversation, Aaron gave me this 7" and said I might like it better.  I should review it, too.  John wouldn't mind because it's not on his label.  (Obviously, John told Aaron about the email conversations and that Deep Elm would not be supplying albums for Signal Drench to review).  I stood by my review and told Aaron again, to the albums benefit Marigold & Patchwork is a hit.

This 7" showcases the band in the early emo days.  I'm not sure why, but it was put out by some guy in Sweden.  I did give this a better review.  But, honestly, it is the same feel as End Of Ring Wars.  Strained vocals over the top of the of everything, almost crying.  Sudden screams leading into start stop dynamics.  Honestly, now a days, I don't care who it rips off, I just miss this sound.  I love it and really wish I had a copy of End of Ring Wars on vinyl.

*Also, as an afterthought, many months after all this, John Szuch came to Lawrence, KS to support the band.  We hung out, didn't fight or anything.  Like I said, it's clear to me that he's just a passionate guy and had really invested EVERYTHING he had into his label.  We never became friends, but I'm pretty sure we walked away not hating each other.