Slackjaw Drugmaze 7" Medical Records 1991 Unknown Cat #
Not really searching out Slackjaw releases, this one just came about at a reasonable price. One problem though, my copy only has the front part of the sleeve. Don't have any credits for this release or the catalog number if there was one.
I'm pretty happy about the price, I would've hated paying more the $3 for this thing. Awful music. The song "Drugmaze" is a jocktacular anti-drug song. Really? Sludge metal needed to enter the anti-drug realm? The song attempts to portray a druggie that regrets the decision to use while set to a repetitive jock metal back drop. The flipside features the songs "Traitor" and "The Question". At 45 RPM, the songs have the advantage of ending before you realize you'd be better off listening to something else.
However, as stated in the last release I discussed; this band was way ahead of it's time. Had they came about just a few years later their brand of jock-punk and metal influences would have got them signed and put them on tour with the likes of Limp Bizkit and Korn. While I wouldn't consider Slackjaw "innovative" their reliance on heavy metal and hardcore punk cliches would've fit in perfect with the slam dancing, backward cap wearing, youth of the late 90's. In fact, they would have improved the scene.
A few notes, it appears that Slackjaw's catalog is a continuous string of "sides." The sides on this release are 3 and 4. The 1994 release I tracked down and discussed previously has sides 7 and 8. Despite the fact that I'm not a fan of the band, I'm now motivated to collect all sides. Another interesting tidbit, there are like 5 bands in Discogs that go by the name of Slackjaw. None of which are Lawrence Kansas' own.
Vinyl record releases, 45s & LPS, local to Kansas and the surrounding Kansas City Area Metro area. Archived and discussed.
Showing posts with label 1991. Show all posts
Showing posts with label 1991. Show all posts
Wednesday, November 27, 2013
Saturday, August 24, 2013
The Coctails Here Now Today Hi-Ball 1991
The Coctails Here Now Today Hi-Ball 1991 Cat # RLP 12-312
The second self released Coctails LP isn't as fun as the first. The back cover in all it's cheesy late 50's goodness reads that this is the Chicago Coctails, dudes from KC, MO now in Chicago. Reviews and history present this LP as material recorded while the band was still students at the Kansas City Art Institute.
Listening to it, it's pretty obvious it's from the same era as the first LP if not the same sessions. The back liner indicate the same in that they used the same 2 track recorder. But yeah, this is the Chicago Coctails. The guys that are on the verge of inventing Lounge-core. To mention again, the Hi-Ball stuff
isn't the same as the later day uber-hip Coctails, it's a low key jazz affair.
What I think these tracks represent are the Kansas City stuff not originally intended for release. I'm assuming once in Chicago and playing shows, demand for LPS grew. They likely threw this LP together with stuff already recorded just to have something new at shows to sell. Lots of ideas rather than fleshed out tunes. A couple tunes under 2 minutes. A lot of developed structures that you can tell are missing the lyrics due to the vocal qualities of the arrangements.
It's still a fun LP. And, far more rooted in jazz than the previous effort. Just has a rushed, unfinished feel throughout.
The second self released Coctails LP isn't as fun as the first. The back cover in all it's cheesy late 50's goodness reads that this is the Chicago Coctails, dudes from KC, MO now in Chicago. Reviews and history present this LP as material recorded while the band was still students at the Kansas City Art Institute.
Listening to it, it's pretty obvious it's from the same era as the first LP if not the same sessions. The back liner indicate the same in that they used the same 2 track recorder. But yeah, this is the Chicago Coctails. The guys that are on the verge of inventing Lounge-core. To mention again, the Hi-Ball stuff
isn't the same as the later day uber-hip Coctails, it's a low key jazz affair.
What I think these tracks represent are the Kansas City stuff not originally intended for release. I'm assuming once in Chicago and playing shows, demand for LPS grew. They likely threw this LP together with stuff already recorded just to have something new at shows to sell. Lots of ideas rather than fleshed out tunes. A couple tunes under 2 minutes. A lot of developed structures that you can tell are missing the lyrics due to the vocal qualities of the arrangements.
It's still a fun LP. And, far more rooted in jazz than the previous effort. Just has a rushed, unfinished feel throughout.
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