Pat Metheny & Lyle Mays As Falls Wichita, So Falls Wichita Falls ECM 1981 CAT# ECM 1-1190
Lee's Summit native Pat Metheny made a lot of albums, with a lot of different people. This one is supposed to be pretty good. Listening to it, it sounds dreamy, there's elements of prog-rock mixed in, but I'd rather talk about something else.
My dad gave me this album. Not because he's a Metheny fan or anything, just because he hordes records and came across this one. Years ago, my dad was decorating his garage with vintage things. Just random stuff he'd come across on Craigslist. For Father's Day or his birthday (can't remember which) I gave him a stack of LPs and an old Fisher Studio Standard turntable I had lying around, just to fit the vintage motif in his garage and because I didn't want to go anywhere I try to buy a present.
My father grew up in a time when vinyl was king. I remember growing up with my parents playing albums pulled from there Peaches wood crate that set next to a Sony stereo system. However, as my parents got older and moved from place to place, the stereo stopped being a part of household and my dad started tuning into talk radio instead of the local classic rock station. Point is, giving him a record player and some albums wasn't introducing him to anything new. Rather, it was giving him back something from his past.
I didn't really think giving him a turntable would be any sort of problem. I just thought he'd play the old albums he still had, maybe buy a few that he lost along the years, but mostly, I thought the turntable would just be a conversation starter in his garage/man-cave. What happened is that my dad went full tilt on records. He moved his man-cave to the basement and it became nothing but records and turntables. Every time I came over, more records would be there, another receiver or another turntable. He started trying make it a lifestyle, buying tee shirts related to vinyl and turntables. Texting me about finds and "digs". He got to know other area collectors by going to Estate sales and stores.
At first, I didn't mind, I'd thumb through his new stuff, he'd grab local stuff for me when he saw it. But anymore, it's a bit too much, I can't keep up. There's also the annoyance of him thinking it's "cool." Similar to a millennial bragging about a bullshit Ryan Adams LP sounding great on a Crosley turntable, he began to think of the hobby as cool, something unique to him. Vinyl isn't inherently cool. And, collecting vinyl is anything but cool. It's a nerdy hobby. It used to be filled with weird old guys it sweatpants that loved to talk about Elvis Presley, which is anything but cool. Sure, there's a revival. However, despite the revival, it doesn't make an obsessive vinyl collector with a Rush t-shirt anymore attractive or cool.
Regardless of hipness, one thing that is true for most new collectors is that he or she gets a bit value-obsessed. The question, "What's it worth?", becomes a huge part of the vocabulary. This was most certainly true of my dad, although, I think he's slowed down on that aspect. This record came to me at his height of what's-it-worth-syndrome. At his job, he has access to some sort of cellophane wrapper and he was using it to re-seal old LPs. When I first asked, he described it as an easy way to preserve albums. To which I'd reply, shrink wrap isn't a good way to store records, it's a only a good way to warp them as the shrink does what the name implies, it shrinks over time and puts pressure on the record eventually warping it if you don't break the seal. However, it became apparent that it wasn't really about preserving them, it was an attempt to elevate the value.
The first time he showed me this record, he bragged about it's sealed condition. And if that were correct, yeah, it's true, mint condition Pat Metheny albums do hold some value to nerdy audiophiles. However, when I looked at it, it was painfully obvious it wasn't an original seal. The wrap it was thin and not typical. But, the dead giveaway was the water-stains along the spine. I didn't have the heart to call him out, just said, "Yeah, that's cool."
He probably tried to trade this off and couldn't and that's probably good because I don't see a bunch of re-sealed LPs at his house anymore. It's a shady practice and most people see through it. Eventually, he gave this LP to me, still re-sealed. I opened it up, thinking maybe it is legit, but no. It's got scuffs, it's got signs of usage, it's not mint. It still plays nice and all, I'm just saying, the weird re-sealing thing could have really pissed someone off if he sold it on eBay. And, it's weird, right?
Vinyl record releases, 45s & LPS, local to Kansas and the surrounding Kansas City Area Metro area. Archived and discussed.
Showing posts with label 1981. Show all posts
Showing posts with label 1981. Show all posts
Saturday, June 11, 2016
Monday, June 15, 2015
Blue Riddim Band Restless Spirit Flying Fish 1981
Blue Riddim Band Restless Spirit Flying Fish 1981 CAT# FF255
Blue Riddim Band is the long-lost reggae band from Kansas City...which doesn't make them legendary, amazing or even all that great. Being the best reggae band form Kansas City is basically the equivalent of being the best figure skater from Jamaica, there's not a lot of competition for the title.
I was first made aware of the Blue Riddim Band while selling an old AR turntable on Craigslist. The gentlemen buying it offered $50, so I took a nibble and asked for a record he wasn't attached too. He asked what I was into, I explained I was on the hunt for odd local stuff, he advised the only thing he had that was local was really odd and showed me the live Blue Riddim Band LP. He explained it was a bunch of guys from Kansas City doing reggae. I was pretty intrigued by the idea of a reggae band from KC but when I asked if he'd let it go, he couldn't (I grabbed a nice copy of a Fleetwood Mac LP instead).
So, Blue Riddim was on the list from that point. The next time I heard someone talk about the group was in thrift store after sparking up a conversation with some old guy holding the self-titled Missouri LP. The topic of local music started and this guy went off about how great the Blue Riddim Band was. How he'd seen them live and how amazing they were. How Blue Riddim should've been bigger than UB40. And, on and on. Dude loved the Blue Riddim Band.
After finding a copy and giving it a listen, though, I think the novelty is what people love most. The music is acceptable, it's well performed, the players are fine. However, for reggae, it's pretty MOR. The UB40 comparison isn't bad, although, UB40 took a pop-music approach to reggae whereas the Blue Riddim Band wanted to make sure they hit on everything under the reggae umbrella, like a rocksteady song, a ska song, a roots song, etc. Despite that, Blue Riddim sounds just as white as UB40. However, if I spun this blind would never guess they were from Kansas City and 1800 miles from an Ocean, so on that account, good job Blue Riddim.
Rock It Sister
Blue Riddim Band is the long-lost reggae band from Kansas City...which doesn't make them legendary, amazing or even all that great. Being the best reggae band form Kansas City is basically the equivalent of being the best figure skater from Jamaica, there's not a lot of competition for the title.
I was first made aware of the Blue Riddim Band while selling an old AR turntable on Craigslist. The gentlemen buying it offered $50, so I took a nibble and asked for a record he wasn't attached too. He asked what I was into, I explained I was on the hunt for odd local stuff, he advised the only thing he had that was local was really odd and showed me the live Blue Riddim Band LP. He explained it was a bunch of guys from Kansas City doing reggae. I was pretty intrigued by the idea of a reggae band from KC but when I asked if he'd let it go, he couldn't (I grabbed a nice copy of a Fleetwood Mac LP instead).
So, Blue Riddim was on the list from that point. The next time I heard someone talk about the group was in thrift store after sparking up a conversation with some old guy holding the self-titled Missouri LP. The topic of local music started and this guy went off about how great the Blue Riddim Band was. How he'd seen them live and how amazing they were. How Blue Riddim should've been bigger than UB40. And, on and on. Dude loved the Blue Riddim Band.
After finding a copy and giving it a listen, though, I think the novelty is what people love most. The music is acceptable, it's well performed, the players are fine. However, for reggae, it's pretty MOR. The UB40 comparison isn't bad, although, UB40 took a pop-music approach to reggae whereas the Blue Riddim Band wanted to make sure they hit on everything under the reggae umbrella, like a rocksteady song, a ska song, a roots song, etc. Despite that, Blue Riddim sounds just as white as UB40. However, if I spun this blind would never guess they were from Kansas City and 1800 miles from an Ocean, so on that account, good job Blue Riddim.
Rock It Sister
Labels:
12",
1981,
Blue Riddim Band,
Flying Fish,
Kansas City,
LP,
Reggae
Wednesday, February 11, 2015
Beth Scalet It's A Living... Wakarusa Records 1981
Beth Scalet It's A Living... Wakarusa Records 1981 CAT# WR 5181
Two things that are great about this LP that don't have much to do with the actual tunes: First, love the label, Wakarusa Records, can't be much more Lawrence, KS than that. By all indications, Wakarusa is a private label for Scalet. Second, the LP is pressed on virgin vinyl and was mastered at half-speed, nice on the audiophile aspect.
As far as the tunes, Beth Scalet is a good songwriter. There isn't anything that jumps out and screams put me on mix tape, but she's got a bluesy voice, she's a proficient musician and grabs from a wide range of influences to base her folk tunes. You hear a lot of 70's blues and country rock making their influence heard on the LP. This was her first collection of songs and would serve as a promising debut.
She played locally throughout the 70's in Kansas City and Lawrence. Her bio indicates she's originally from Ottawa, KS, but not a lot going on there if you want to get yourself heard. Her folk-based originals gathered her local attention and did allow her to open for some major artists in the area.
It is a bit surprising that all that came out of Beth's performances was this private-press release and a cassette release years later. After hearing it, you'd think a major label would have loved to a give a strong female songwriter a chance, albeit her folk based tunes were a bit out of season by 1981. Honestly, Scalet's sound is very similar to Melissa Etheridge and came out 7 years prior to Etheridge's debut. It makes you wonder if Etheridge was one of the spectators at one of Beth Scalet's early coffeehouse or big-time opening act shows.
Two things that are great about this LP that don't have much to do with the actual tunes: First, love the label, Wakarusa Records, can't be much more Lawrence, KS than that. By all indications, Wakarusa is a private label for Scalet. Second, the LP is pressed on virgin vinyl and was mastered at half-speed, nice on the audiophile aspect.
As far as the tunes, Beth Scalet is a good songwriter. There isn't anything that jumps out and screams put me on mix tape, but she's got a bluesy voice, she's a proficient musician and grabs from a wide range of influences to base her folk tunes. You hear a lot of 70's blues and country rock making their influence heard on the LP. This was her first collection of songs and would serve as a promising debut.
She played locally throughout the 70's in Kansas City and Lawrence. Her bio indicates she's originally from Ottawa, KS, but not a lot going on there if you want to get yourself heard. Her folk-based originals gathered her local attention and did allow her to open for some major artists in the area.
It is a bit surprising that all that came out of Beth's performances was this private-press release and a cassette release years later. After hearing it, you'd think a major label would have loved to a give a strong female songwriter a chance, albeit her folk based tunes were a bit out of season by 1981. Honestly, Scalet's sound is very similar to Melissa Etheridge and came out 7 years prior to Etheridge's debut. It makes you wonder if Etheridge was one of the spectators at one of Beth Scalet's early coffeehouse or big-time opening act shows.
Labels:
12",
1981,
Alt. Country,
Beth Scalet,
Folk,
Kansas City,
Lawrence,
LP,
Ottawa,
Private Press,
Wakarusa Records
Monday, October 27, 2014
Four of a Kind The Magical Sounds Of Private 1981
Four of a Kind The Magical Sounds Of Private 1981 CAT# 111081X
Fuck, yes! I'm sure that was what everyone was saying in 1981 when Four of a Kind finally dropped a private press polka album on Kansas City. The polka scene was likely hungry for some new blood and these four young Kansas Citians must have fit the bill. And when I say young, I mean young, no one on the in the group is older than the age of 17. Surely, in 1981, these 4 guys had to be pretty cool? Chicks dig an accordion and hanging with grandma and grandpa at a bingo hall for a polka concert, right?
Private press, Kansas City, polka should speak for itself, but I have no clue whether this is good or bad. It sounds dance-able to me and there's a lot of waltzes. Again, I'm not the guy to ask whether or not it's good, but they are young, so that's impressive. They do "Beer Barrel" polka, so if you're looking for yet another rendition, here's an album you may need. The vocal tracks are interesting as they are rooted in ethnic tradition and not just thrown in as something to dance to. However, I'm really just here to let you know this exists.
I assume the kids were from the Strawberry Hill neighborhood of Kansas City as it is still the primary spot for Slavic heritage in town. While not necessarily a Slavic music, Polka has it's roots in Central Europe and I would have to imagine, if there was a scene for this, it was Strawberry Hill. I'm certain though, aftter the guys dropped this LP, Strawberry Hill blew up. Both girls and and A&R reps form all the majors had to banging at these guys' doors to try and find some of that magic.
Fuck, yes! I'm sure that was what everyone was saying in 1981 when Four of a Kind finally dropped a private press polka album on Kansas City. The polka scene was likely hungry for some new blood and these four young Kansas Citians must have fit the bill. And when I say young, I mean young, no one on the in the group is older than the age of 17. Surely, in 1981, these 4 guys had to be pretty cool? Chicks dig an accordion and hanging with grandma and grandpa at a bingo hall for a polka concert, right?
Private press, Kansas City, polka should speak for itself, but I have no clue whether this is good or bad. It sounds dance-able to me and there's a lot of waltzes. Again, I'm not the guy to ask whether or not it's good, but they are young, so that's impressive. They do "Beer Barrel" polka, so if you're looking for yet another rendition, here's an album you may need. The vocal tracks are interesting as they are rooted in ethnic tradition and not just thrown in as something to dance to. However, I'm really just here to let you know this exists.
I assume the kids were from the Strawberry Hill neighborhood of Kansas City as it is still the primary spot for Slavic heritage in town. While not necessarily a Slavic music, Polka has it's roots in Central Europe and I would have to imagine, if there was a scene for this, it was Strawberry Hill. I'm certain though, aftter the guys dropped this LP, Strawberry Hill blew up. Both girls and and A&R reps form all the majors had to banging at these guys' doors to try and find some of that magic.
Thursday, October 24, 2013
The Embarrassment EP Cynykyl Records 1981
The Embarrassment EP Cynykyl Records 1981 NO CAT#
Of all the Embarrassment stuff I've tracked down, this is my favorite. Have you heard "Celebrity Art Party"? It's not just one of my favorite songs by a local group, it's one of my favorite songs by any band, ever. It's a mastepiece. Humerus lyrics that hold up today, a neurotic, nervy beat, the Feelies couldn't match this tune's greatness back in the day.
The other 4 tunes on this EP are winners as well, plus they're divided into a 'Happy Side' and a 'Snappy Side'. Personally, if had to get rid of one track, it'd be "Elizabeth Montgomery's Face," but that's just as much a fan favorite as any other of the band's tunes. It also features the song, "Wellsville," which is Small Town, Kansas and highway travel; the notion that if you blink you'll miss it and how that idea relates to life. It's done with humor though and not as deep as I'm making it sound here. I used to play the track once a week when I hosted Plow the Fields on KJHK, I was kind of obsessed.
Anyway, I could go on gushing about this EP more, but it gets kind of redundant. If you've never heard this band and have the means, this is highly recommended.
Wellsville
Homemade Rock Video for Celebrity Art Party
Of all the Embarrassment stuff I've tracked down, this is my favorite. Have you heard "Celebrity Art Party"? It's not just one of my favorite songs by a local group, it's one of my favorite songs by any band, ever. It's a mastepiece. Humerus lyrics that hold up today, a neurotic, nervy beat, the Feelies couldn't match this tune's greatness back in the day.
The other 4 tunes on this EP are winners as well, plus they're divided into a 'Happy Side' and a 'Snappy Side'. Personally, if had to get rid of one track, it'd be "Elizabeth Montgomery's Face," but that's just as much a fan favorite as any other of the band's tunes. It also features the song, "Wellsville," which is Small Town, Kansas and highway travel; the notion that if you blink you'll miss it and how that idea relates to life. It's done with humor though and not as deep as I'm making it sound here. I used to play the track once a week when I hosted Plow the Fields on KJHK, I was kind of obsessed.
Anyway, I could go on gushing about this EP more, but it gets kind of redundant. If you've never heard this band and have the means, this is highly recommended.
Wellsville
Homemade Rock Video for Celebrity Art Party
Labels:
12",
1981,
Cynykyl Records,
Embarrassment,
EP,
Indie,
Lawrence,
Private Press,
Punk,
Wichita
Monday, July 8, 2013
The Embarrassment Death Travels West Fresh Sound, Inc 1981
The Embarrassment Death Travels West Fresh Sounds, Inc 1981 CAT # FS 204
For every decade, Kansas seems to have the "best band you've never heard" and for the 80's it's the The Embarrassment or the Embos as fans affectionately refer to them.
From Wichita, Kansas, the band dubbed itself "Blister Pop" and are contemporaries to the likes of other American indies like the Feelies, R.E.M., Pylon, etc. In the underground circles they're usually regarded as better. I mean, they had the nerdy Feelies look, they had the R.E.M. jangle and wit, it's astounding this band never made past left of the dial.
This particular LP or EP (depending on your point of view) is a seven song set with a loose concept tied to Manifest Destiny or how things inevitably get worse the further west you go. If you haven't heard the band, this is as good place to start as any. Although, everything the band did is phenomenal.
Drive Me to the Park
Hip And Well Read
For every decade, Kansas seems to have the "best band you've never heard" and for the 80's it's the The Embarrassment or the Embos as fans affectionately refer to them.
From Wichita, Kansas, the band dubbed itself "Blister Pop" and are contemporaries to the likes of other American indies like the Feelies, R.E.M., Pylon, etc. In the underground circles they're usually regarded as better. I mean, they had the nerdy Feelies look, they had the R.E.M. jangle and wit, it's astounding this band never made past left of the dial.
This particular LP or EP (depending on your point of view) is a seven song set with a loose concept tied to Manifest Destiny or how things inevitably get worse the further west you go. If you haven't heard the band, this is as good place to start as any. Although, everything the band did is phenomenal.
Drive Me to the Park
Hip And Well Read
Labels:
12",
1981,
Embarrassment,
Fresh Sounds Inc,
Indie,
Lawrence,
LP,
Punk,
Wichita
Subscribe to:
Posts (Atom)




