Saturday, June 18, 2016

Rajah That's What's Com'n Rajah Records 1990


Rajah That's What's Com'n Rajah Records 1990 NO CAT#

First look at this and you see the crudely drawn KC skyline so you know it's local, then it just becomes figuring out what it is. Given Rajah's front cover photo, I initially though modern soul, here's a lady trying to show off her pipes. But, review of the backside, she's wearing a hair-net and indicates that her EP features the Strickly Deaf Posse. Turn back over to the front-side and now it seems she may be trying to evoke the B-Girl style with that hat, so it might be hip-hop.

Either way, it's got the possibility of being really bad or really good. Taking out the record you'll see it's from 1990, which is late-era vinyl and a time when modern soul was basically done, it's got to be hip-hop still stuck in the 80's. Review of the backside you'll see that Rajah states, "This album is dedicated to My Heavenly Father for whom my life will reflect his greatness." Now it could be really bad religious hip-hop or stuck in a time loop modern soul and religious. It's also obvious that Rajah failed horribly if she intended this to be an album, it's 2 songs with an instrumental version added of the title track. Without actually listening to it, things are stating to sound horrible.

That's a hair net, right?
Listening to it, it's not religious, it's a hip-hop/soul hybrid sound that was trying to gain a foothold in the late-80s and early 90's. The title track is actually titled, "Good Lov'n That's What's Com'n", which apparently couldn't fit on the front cover finds Rajah switching between rapping and singing throughout. She's speaking to her targeted man talking about how she'll be the best woman for him. Yet to be mentioned is that her name, Rajah, is almost hidden on the front and the back. To get the artist name, you have to rely on the production and producer credits as the scribble signature on the front and the label are hard to decipher. As a lame trademark, Rajah, samples a terribly obvious Middle-Eastern chord progression, the same you hear in any movie soundtrack that has a Middle Eastern scene, whether that be Disney's Aladdin or Raiders of the Lost Ark, it's that hokey snake charmer theme.

The second side features an unneeded instrumental of "Good Lov'n That's What's Com'n", although it features the rap verses. The second track, "We Don't Know How It Happend", is lover's lament sappiness. The title is kind of clever though with the misspelling of Happened being Happend. But, the track is pretty much garbage, slow moving plastic beats with Rajah crying over a break-up.

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